Wind, clouds, and nightfall. Not the usual descriptors for perfect photographic conditions, but in the right circumstances, these conditions can produce dramatic images. As suggested in my last post, the Navy and Merchant Marine Memorial seemed to have potential for nighttime photography. And so, here are a few examples of my first attempts.
Sunset plus 15 Minutes (Note Washington Monument under leading gull)
As the evening clouds began to build, it became apparent that some interesting weather was heading in from the west. The image above was taken about 15 minutes after sunset, and still in the twilight period. (Technical data: Nikon D700 with 24-70mm f/2.8 lens on tripod; Lens extended to 44 mm; Exposure: 4 secs. @ f/16, ISO 200). The sculpture’s seven gulls skimming the cresting wave provided a counterpoint to the storm front that seemed to be moving in. I decided to take my chances and stay.
Sunset plus 30 Minutes (Four exposures merged in Photoshop)
My favorite time to shoot is what many photographers called Magic Hour (see my previous post here for more information on that subject) and here, the perfect moment was reached around 30 minutes after sunset. I worked quickly to take 4 time exposures that would be assembled later into the single image above. (Technical data: Nikon D700 with 24-70mm f/2.8 lens on tripod; Lens at 24 mm; Exposure: four ranging from 15 to 30 sec. all at f/16, ISO 400) The clouds were growing more dramatic and although darkness was coming, I decided to ignore my usual practice of leaving at the end of twilight.
Sunset plus 40 Minutes
This memorial is not illuminated by installed artificial lighting, there is only ambient light after the sun goes down. But even at the 40 -minute mark, the ambient light was pretty good and I was helped by the city lights across the river bouncing off the relatively low cloud cover. Boosting the ISO to 1600 made it possible to continue shooting. (Technical data: Nikon D700 with 24-70mm f/2.8 lens on tripod; Lens at 24 mm; Exposure: 8 sec. @ f/16, ISO 1600) I noticed, however, that the sky was beginning to take on an unusual tint. Perhaps just a few more minutes, I thought.
Sunset plus 45 Minutes (White Balance set at Auto)
I’m not exactly sure what was going on, but as the color of the clouds became increasingly bizarre, my camera was telling me that it was also getting brighter. The orange color above is an accurate representation of what I was seeing. (Technical data: Nikon D700 with 24-70mm f/2.8 lens on tripod; Lens at 24 mm; Exposure: EV-1, 2.5sec. @ f/16, ISO 1600) It was now a little more than 45 minutes after sunset, and the wind was picking up. Standing there alone in near-total darkness, the sound of the wind and strange colors in the sky also imparted an ominous sensation. But then I realized that the planes departing Washington Reagan Airport, just a few miles away, were now flying directly overhead. This provided yet another opportunity so I decided to stay a few more minutes and attempt to get lucky with the take-off patterns.
Sunset plus 55 minutes (White Balance set at Tungsten)
I decided that no one would believe that the sky was really this orange color, so I changed the White Balance from Automatic to Tungsten. I always shoot in RAW, so any corrections that might be needed would be relatively easy during the post-processing. As it turned out, the result above is pretty much the way it came out. It looks like a normal night scene, but those are not the colors I was seeing. The above image was taken 55 minutes after sunset. (Technical data: Nikon D700 with 24-70mm f/2.8 lens on tripod; Lens at 28 mm; Exposure: EV-1, 15sec. @ f/16, ISO 400) At last, I decided I should quit while I was ahead and close up for the night. It had not started to rain yet, and I didn’t want to press my luck.