Cherry Blossoms at Peak


The cherry trees were entering the peak phase today and the tidal basin was lined with photographers at sunrise.  Last night, however, there was a full moon and only three of us (photo colleagues Joan and Cynthia) were shooting in this new location.


Full Moon, View from Virginia Shoreline

(Technical: Nikon D810 with 70-200mm f/2.8 lens extended to 165mm; exposure: 2.5 sec. at f/5.6, ISO 400; taken about 35 minutes after sunset)

While the moon was rising the cherry trees were hard at work, getting ready for this morning.  Both of the images below were taken before sunrise this morning.


Dawn, Tidal Basin

(Technical: Nikon D810 with 24-70mm f/2.8 lens extended to 24mm; exposure: 5 sec. at f/16, ISO 800; On-camera flash at reduced power to provide slight fill on blossoms, taken about 35 minutes before sunrise)


Dawn, Jefferson Memorial

(Technical: Nikon D810 with 24-70mm f/2.8 lens extended to 48mm; exposure: 0.5 sec. at f/16, ISO 800; On-camera flash at normal power to provide fill on blossoms, taken about 25 minutes before sunrise)

I suspect none of the photographers there were thrilled to see all those cranes to the left of the Jefferson Memorial.  They are in the early phases of a major development along the waterfront on Maine Avenue.  I suspect most of us will be using Photoshop to “disappear” them.

The blossoms will be with us for a few more days, weather permitting.

Keep Shooting….

Cherry Blossom Update

Photo colleague Carla and I checked out potential images on Friday afternoon and concluded that the cherry blossoms around the tidal basin will not be ready for prime time until Monday or Tuesday.  And the prospects for rain and snow on the weekend have raised some concerns that the blossoms may be damaged before then. A thorough article in the Washington Post provides the details.

On the positive side, the magnolia trees continued to be magnificent everywhere they are growing as illustrated in the image below.

Cherry Blossoms 01

Magnolia Trees at Enid Haupt Garden, Smithsonian Castle

(Technical: Nikon D810 with 24-70mm f/2.8 lens at 35mm.  Hand held, with fill flash 1/200th sec. @ f/16, ISO 400)

They also can be found, among other places, in the Outdoor Sculpture Garden at the National Gallery of Art, Rawlins Park between the two lanes of E Street, and a small stand near the Korean War Memorial.

Cherry Blossoms 02

Magnolia Trees Reflected in Korean War Memorial Pool

(Technical: Nikon D810 with 70-200mm f/2.8 lens at 200mm.  Hand held, exposure of 1/160th sec. @ f/14, ISO 800)

In addition to the Magnolias, the weeping cherry trees are in excellent viewing condition, but tend to be found as single trees in various locations.  The weeping willows along the Potomac are also looking very nice.

Cherry Blossoms 03

Weeping Willow Trees and Weeping Cherry along the Potomac

(Technical: Nikon D810 with 24-70mm f/2.8 lens at 29mm.  Hand held, exposure at 1/125th sec. @ f/14, ISO 400)

And if you are over in the Federal Triangle area, check out the newly restored Mellon Memorial Fountain at 6th Street and Constitution Avenue.  I suspect it will look good in any weather.

Mellon Memorial Fountain 05

Mellon Memorial Fountain, March 17, 2016

In the meantime,

Keep Shooting…..

Return to the Living

There was a good news story in Washington, DC today.  The Andrew W. Mellon Memorial Fountain, situated at the apex of the Federal Triangle complex in downtown Washington, is now operating again after an 8-year hiatus.  In a special ceremony this morning, the 75th anniversary of the National Gallery of Art, the fountain burst back to life in dramatic fashion.

Mellon Fountain 04

Mellon Memorial Fountain, Running Again

Designed in a style similar to a fountain in Genoa, Italy, the Mellon Memorial Fountain consists of three nested bronze basins, from which water cascades into a low granite-curbed pool, measuring 55 feet, 4 inches in diameter. Water is supplied from the central jet or plume, and flows from the two top tiers into largest and deepest of the bronze basins. The water is kept at a constant level by sophisticated controls and is tempered and smoothed by means of a bronze baffle, so that when it finally pours over the lip of the basin, it becomes a clear transparent sheet of water.

Cast by Roman Bronze Works and General Bronze Corporation in 1952, it is thought that this was the largest bronze fountain known at the time of construction. The material is known as statuary bronze—a quaternary alloy made of copper, zinc, tin, and lead, and traditionally golden brown in color.

Sidney Waugh, commissioned to design the reliefs for the lowest basin, created twelve high-relief symbols of the zodiac that were cast in bronze and applied to the fluted wall. The sign of Aries is situated so that the sun shines on Aries on March 21—the vernal equinox.

Mellon Fountain 02

Sunrise, Mellon Fountain

(Photographed today as the rising sun illuminated the basin and the Aires symbol)

I first photographed the fountain six years ago, after I learned about its relationship to the solar cycle.  I visited at sunrise on the morning of that year’s spring equinox and was saddened by its pathetic condition.  I have always been hopeful that it would someday be brought back to life.  The photograph below provides a rough idea of its condition in 2010.

Mellon Fountain 01

Sunrise on Vernal Equinox, March 2010

The fountain and surrounding triangular park, which are dedicated to Gallery founder Andrew W. Mellon, had been the responsibility of the National Park Service.  But in September 2015 custody was transferred to the National Gallery of Art.   The rapidity of the renovation under the aegis of the National Gallery is impressive.

According to the Gallery’s press office, their conservators worked with Washington-area firm Conservation Solutions, Inc. to assist in carrying out the treatment on the bronze fountain. In order to preserve the bronze patina while removing a green mineralization buildup, the team used a special method of blasting dry ice (CO2) on the metal surface instead of using strong chemicals or an aggressive mechanical process to remove the multiple corrosion layers. The process revealed a stunning surface, with original brushstrokes of protective wax visible across the bronze. Several layers of a new protective wax coating were added to help preserve the bronze surface. Annual maintenance will be carried out in the winter when the fountain is not operating.

Mellon Fountain 03

Throwing the Switch

Special thanks to my photo colleague, Michele, who alerted me to this event and to gracious staff at the National Gallery who invited me to attend their press briefing and rededication ceremony.  More can be learned about the history of the fountain here.  Information about the origins of the National Gallery of Art can be found here.

It’s Later Than You Think

Spring is arriving early in Washington, DC this year and time is running out for those wanting to partake of the annual visual treats that emerge after winter every year.  The cherry blossoms still have a ways to go, but there is much to be seen already.  A good place to start is the Smithsonian Institution’s Enid Haupt Garden on Independence Avenue.  I visited it late yesterday afternoon and found the magnolia trees in perfect condition.

Smithsonian 01

Moongate Garden and Smithsonian Castle

(Nikon D810 on tripod, with 24-70mm f.2.8 lens extended to 26mm; exposure: 1/60th sec. @ f/16, ISO 400; two vertical images photomerged)

When I moved to the opposite side of the Moongate pool, another opportunity presented itself.

Smithsonian 02

Magnolia Tree and West Wing, Smithsonian Castle

(Nikon D810 on tripod, with 24-70mm f.2.8 lens extended to 50mm; exposure: 1/30th sec. @ f/16, ISO 400; approximately 45 minutes before sunset)

The above image is a view toward the north.  But there was more.  The setting sun occasionally found an opening in the clouds and provided a few brief illuminations of the Arts and Industries Building to the east as shown in the image below.

Smithsonian 04

Magnolia Trees, Enid Haupt Garden

(Nikon D810 on tripod, with 24-70mm f.2.8 lens extended to 66mm; exposure: 1/13th sec. @ f/16, ISO 400; approximately 40 minutes before sunset)

Update:  A check on the cherry blossoms early this morning (March 11) showed that it will be at least a few days before they are ready for their moment to shine.

OnePhoto Focus (March)

It’s the first Friday of the month and that means it’s time for Stacy Fisher’s famous OnePhoto Focus where everyone gets a chance to apply their magic touches to the same image.  But before we get to that, a flash back to last month when I visited the Washington National Cathedral for a morning shoot.

National Cathedral 02

Morning Light, National Cathedral

(Technical Data: Nikon D810 on tripod with 24-70mm f/2.8 lens, extended to 44mm; two images photomerged, exposure 0.5 sec@ f/16, ISO 400)

The National Cathedral has recently started a series of special sessions for photographers who wish to capture images of the interior before the doors open for the public.  The number of photographers is limited to about 25 and reservations can be made in advance. Tripods are allowed and, depending on the day some areas may not be open. Cost of admission is $30.  Details can be found here.

Now back to our main program, the monthly OnePhoto Focus.  This month’s photograph was contributed by Nancy Merrill.  The original is shown below.

March 2016 1PF Before

Original Image by Nancy Merrill

The building, as the sign indicates, is a theatre dedicated to the works of Shakespeare.  The theatrical theme seemed to be a good one to run with and, as we all know, theatre deals with fantasy.  So I thought I would go with that.

No need to go into the boring details of the “image prep” phase in Adobe Camera Raw, largely because Nancy has kindly provided us with a clean, well-exposed, and sharply focused image that needs no heroic efforts.  Only a few standard tweaks were applied.

The next step was to set the scene and it seemed that a visit to Photoshop’s Filter Gallery would be a good place to start.  The “Glowing Edges” effect under the Stylize tab produced an electric effect and, after a little trial and error, the image shown below emerged. The  sign was “protected” from the effects of the filter tool because I had other plans for it.

Robin Kent 1PF March 2016 Step 2A

“Glowing Edge” Effect Applied

Since this is a Shakespearean Theatre, it seemed appropriate to make that fact very obvious.  A quick online search produced an image of a poster for one of the bard’s most famous plays.  It was superimposed as a separate layer and the opacity was slightly reduced.  A mask was used to paint out the unwanted sections of the poster.

Robin Kent 1PF March 2016 Step 4A

Sign Added

With the stage and scenery ready, some characters are needed.  Back to the Internet.  This search found several willing participants: a fashion model, a photographer, and a couple descending the stairs.

Robin Kent 1PF March 2016 Final

Final Image

On a technical note, the procedure I used for adding these elements was to first create a new layer above the background.  The copied images were scaled down using the Edit–>Transform–>Scale tool on the inserted layer (be sure to hold the shift key down to maintain the original aspect ratio).

Thanks again to Stacy for organizing this monthly event. You can see the other versions by the participants by clicking on this link.  And thanks to Nancy for a fun image to edit.