Arctic Journey

 

In just a few days, I will be departing on a month-long journey that will take me into the Arctic Circle, along the west coast of Greenland, through the Northwest Passage, across the northern shores of Alaska, through the Bering Strait and ultimately to Nome, Alaska.  After being in Antarctica last year, it was inevitable that I would find my way to the northern Polar Regions.

Northwest Passage Blog Image 01

Google Satellite Image

This route was not really possible until recently because the Arctic Archipelago, through which we must pass, was choked year-round with sea ice.  But the steady rise in global temperatures has changed that situation as shown in this NASA video.   There are various routes through the Archipelago; our route will follow the track of the ill-fated John Franklin Expedition of 1846.  (See image below)  Anyone interested in the history of this epic search might check James P. Delgado’s definitive work, “Across the Top of the Word: The Quest for the Northwest Passage.”

Northwest Passage MAP Blog

Our Planned Route

(Note: The Mercator map projection above distorts the size of Greenland; it’s actual size equals about 28% of the continental USA)

Early exploration for a more direct route from Europe to the Orient began in the 16th Century, yet the first successful passage by boat was not achieved until 1906 and that trip, led by Roald Admundsen took 3 years.  It was another 36 years before the next successful effort, this time by Henry Larsen, and that also took three years.  In both cases, the expeditions were forced to spend the winter in the passage after being trapped by the sea ice.  The first commercial passenger ship to make it through was the M/S Explorer in 1984.  The Explorer’s journey was organized by Lars-Eric Lindblad, who had pioneered sea tourism in Antarctica on the same ship in 1969.

Aside from innumerable icebergs in various sizes and shapes, we will pass vast tundra plains, low lying bogs, sharply pitched arctic mountain ranges, and bituminous shale fires that have been burning for hundreds of years. We hope to capture images of all this as well as wildlife such as Narwhals, Beluga and Humpback whales, Polar Bears, Musk Oxen, Arctic Fox, and a variety of migrating birds.

As with last year’s Antarctica trip, the amount of photo gear one can take is limited by carry-on restrictions for the flight to the embarkation port (Kangerlussuak, Greenland).  The final leg has 5 kg limit (11 pounds) for carry-on and putting any of the essential items in checked baggage is never a good plan.  The duration of this trip is about 4 times longer (23 days from Kangerlussuak to Nome Alaska).  For one thing that means I’ll need more memory cards.  I also will be taking a tripod and a computer, two items that were not with me in Antarctica.  Those will be packed in my checked baggage along with a few other accessories.  Should they fail to make it to Kangerlussuak, it won’t be fatal.

It’s likely we will have little or no internet connectivity during this journey, so it may be a while before another post appears in this space or I am able to check on the posts of my fellow bloggers.  Until then…..

….Keep Shooting!

Close to Home

 

Since I’m on the road today, this post combines the monthly One Friday Focus, sponsored by Stacy Fischer’s Visual Venturing Blog and a short piece inspired by a conversation last week with a fellow photographer.  Meanwhile, I’m off on another short trip this weekend, hopefully to capture a few images of the Milky Way over the Atlantic Ocean.  So once again, this post will serve double duty.

Last week Kim, a fellow photographer in the Great Falls Studios organization, described her specialty as photographing wildlife in her backyard.  Later, while reflecting on what she had been saying, I realized that I had been doing only a little of this over the years.  Other than a major effort on a pair of nesting bluebirds, I have not really concentrated on seeking subject matter just outside my windows.  Her stories made me think that perhaps I should look harder.  But for now, I decided to search through my files for some images that I already had taken to see what did happen to catch my eye.  The one rule: they had to have been taken from a spot within 100 feet of my house.   So, for what it is worth, here they are:

Kent June 2016 Solar Halo

Solar Halo

(Technical: Nikon D200 with 18-200mm f/3.5-5.6 lens at 18mm handheld; 1/1,000th sec. @ f/16, ISO 200)

Kent June 2016 Snow

Snow on Tree

(Technical: Nikon D200 with 18-200mm f/3.5-5.6 lens at 120mm handheld; 1/160th sec. @ f/6.3, ISO 200)

Kent June 2016 Magnolia

Magnolia

(Technical: Nikon D800E with 60mm f/2.8 Micro lens on tripod; 1/100th sec. @ f/8, ISO 400)

Heron D-16-05-21-5862

Blue Heron Taking Flight

(Technical: Nikon D810 with 24-70mm f/2.8 lens at 70mm on tripod; 1/500th sec. @ f/2.8, ISO 3200)

Kent June 2016 Butterfly

Tiger Swallowtail on Purple Coneflower

(Technical:  Nikon D800E with 24-70mm f/2.8 lens at 70mm handheld; 1/1250th sec. @ f/6.3, ISO 800)

Bluebird D-16-05-02-9754

Female Bluebird Bringing Dinner

(Technical: Nikon D800E with 50mm f/1.8 lens; 1/2000th sec. @ f/5.6, ISO 800)

This image was taken last month but is the same birdhouse used in my post a year ago.  I was planning a new approach this year.  Readers may recall that previously I had used a 200mm focal length lens on a camera inside the house and an off camera flash about six feet from the nest.  The flash was triggered by a wireless remote system (Pocket Wizard) but a single flash only provided a small amount of fill light.  This year, I planned to use Nikon’s wireless remote that would trip the camera’s shutter and place the camera about 10 feet from the nest.  I would be able to fire the shutter in continuous mode (not feasible with flash) while remaining inside the house. Unfortunately, I had only one day of shooting thanks to a sustained period of rainy weather.  But should the birds return next year, I may have better luck.

One Friday Focus

This month’s image was another interesting challenge, many thanks to David Croker for providing it.  As a reminder, the 1PF Challenge is sponsored by Stacy Fischer of Visual Venturing and anyone can participate.  Details can be found at  Visual Venturing .

David’s original RAW image is shown below.  It offers a variety of possibilities and started as usual  by going through some standard steps of image prep (setting B&W points, highlights, shadows, etc. in Adobe Camera Raw).  Following this,  I opened the file in Photoshop and tried several approaches such as a straight black and white print which looked very nice, but I finally decided to go on a more radical direction.

2016 06 1PF Original

This usually means a foray into the Filter Gallery, which is fast becoming my “go-to” place for this monthly event.  Needless to say, I do not possess a single plug-in app so my choices are somewhat restricted, comparatively speaking.

But I digress.  The tool I picked is the so-called Glowing Edges under the “Stylize” Tab.  Although I have used this one before, it behaves quite unpredictably (at least for me) so the results can be quite different in each case.  There are three adjustment sliders to control the effects and the final settings were: Edge Width: 2;  Edge Brightness: 17; and Smoothness: 8.  It was starting to look pretty decent, but the lovely blue sky in the upper portion was now a black void and desperately needed help.  Rather than just crop it out, I used the clone tool to copy sections of the lower clouds.  This, of course, created a new problem–the newly created clouds were not reflected in the water below.

The solution was to select the upper clouds, then copy them into a new layer.  I then used the Edit–>Transform–>Flip Vertical function to flip the layer and then I dragged it down to the bottom of the image.  An actual reflection should be softer and not as bright as the original object so I used the gaussian blur tool and a decrease in the opacity of the layer to create a look that matched the reflections that were already there.  The final image is shown below.

Robin Kent 2016 06 1PF Final Final

Thanks again to David for providing this month’s image and thanks also to Stacy for keeping this herd of cats heading in a generally productive direction.  Be sure and check out the other contributions at June One Photo Focus.  One again, there will be an amazing variety of interpretations.  In the meantime,

 

Keep Shooting….

A Winter Day in Central Park

I was in New City on Thursday for a quick business trip with my wife.  Arriving a few hours before the business meeting, we decided to take a walk in Central Park.

 

NYCD-16-01-28-1778A Horse Carriage Continues a 150-year Tradition

The recent snow is no problem for the horse carriages, but the city’s mayor is still out to curtail, if not eliminate, them.

 

NYC D-16-01-28-1663Artists selling their works were out in force.

 

 

NYC D-16-01-28-1650As were couples recording their memories.

 

NYC D-16-01-29-1660

The ice rink was busy as usual

But our destination was the zoo.  At the entrance one will find the famous George Delacorte Musical Clock, which is built on a triple archway passage into the zoo.  Flanking the clock on either side are G. R. Roth’s Honey Bear and Dancing Goat bronze sculptures dating from 1935.

NYC D-16-01-28-1665

Roth’s Honey Bear

Supposedly during daylight hours, a selected tune is played by bells while bronze sculptures of a bear with tambourine, a hippopotamus with violin, a goat with pan pipes, a kangaroo and offspring with horns, and a penguin with drum glide around the base of the clock. In addition, on the hour, two bronze monkeys on the top of the clock appear to strike a bell. We saw the monkeys striking the bell, but the animals did not move while the song was played.  Still, it is a very cool clock.

NYC D-16-01-28-1669Visitors Watching the Delacorte Clock Announce the Time

 

Inside the zoo, the visitors were often as entertaining as the inmates.

NYC D-16-01-28-1672Sea Lion Striking a Pose

 

NYC D-16-01-28-1700This Snow Monkey appeared distraught that the snow in his compound had mostly melted.

 

NYC D-16-01-28-1768

A Seal Creates a Kaleidoscope of Reflections as it Swims

But our favorite stop was the snow leopard compound where, if one is lucky and patient, they can capture an image that almost appears to be taken in the wild.

NYC D-16-01-28-1742

Snow Leopard Cub (about 20 Months) Moves Across the Snow

NYC D-16-01-28-1753

The Same Cub, Striking a Pose

The cub shown here is one of a pair of twins who, a few minutes earlier, had been frolicking in the snow.  But unfortunately, their antics were almost completely obscured by rocks and bushes so that classic, prize winning image was not captured.  So I guess I will have to….

Keep Shooting…..

 

 

Hidden Gem: Mexico’s Monarch Preserves

Well, the Google Doodle beat me to the punch yesterday, marking the 41st anniversary of the discovery of the overwintering site of the Monarch butterfly.  But that’s OK, I’m going ahead with this anyway.

D-11-01-18-0271 (Keynote)Monarchs Overwintering in Mexico (2011)

By the mid-20th century the existence of the monarch migration had been well known for many years, but not its full route.  Every August and September, millions of monarchs in the eastern United States and Canada would start flying south toward Mexico and disappear.   Then, around March, they would reappear on a northward journey. The location where they spent those intervening months was unknown.  It was one of nature’s great mysteries.

Until January 9, 1975.

Monarch 05 D-11-01-20-0501

In that year, a group of scientists following clues left by tagged butterflies that had fallen on the journey south were led to a place high in the mountains of Mexico’s eastern Sierra Madre Mountains. There they found millions of butterflies clinging to the branches of the oyamel trees that grow at altitudes as high as 11,000-12,000 feet.

Monarch 06 D-11-01-18-229_233 PAN

The fact that these small creatures can actually make the trip of several thousand miles is not the most amazing part of the story.  What is most incredible is that none of them had ever been there before. Yet each year a new torrent of monarchs, separated by three or four generations from those that flew there the previous year, finds its way to those same oyamel trees.

I became entranced with this story in 2001, after reading “Four Wings and a Prayer” by Sue Halpern who traveled to Mexico in a truck with legendary monarch tracker Bill Calvert and experienced first-hand the spectacle of the monarch migration.

Monarch 09 D-11-01-18-237_238 PAN

My own journey started shortly afterwards with a trip to Cape May, New Jersey,  a key crossing point for the southbound monarchs over Delaware Bay.  Butterfly researchers at the Cape May Bird Observatory demonstrated the technique of tagging the monarchs and how the tracking depends on anonymous individuals who find a tagged butterfly and report the information of where and when to research centers.

Monarch 01 1602-21

Tagged Monarch Before Release (2001)

A few days later, I caught up with a researcher in Lorton, Virginia who was tagging southbound monarchs in a field of yellow wildflowers (image below).   He had almost

Monarch 02 1602-33

Migrating Monarch, Lorton VA (2001)

reached his annual goal of 500 taggings, but was despondent over the fact that this waystation for the monarchs was about to become a shopping center.

Monarch 08 1602-32

Lorton, Virginia (2001)

Seven years later, I was at Pictured Rocks National Lakeshore, on the south shore of Lake Superior, when I spotted a few flashes of orange.  It was a pair of migrating monarchs just arriving from their 100-mile-plus flight across the great lake from Canada.  They still were over 2,500 miles from their destination.

Monarch

Migrating Monarch, Pictured Rocks National Lakeshore, MI (2008)

In the fall of 2010, a friend called asking if I would like to join her on a trip to see the overwintering sites in Mexico. My answer was quick and the following January, we found ourselves on a long bus ride from Mexico City to the mountain village of Angangueo. But this was just the first of many transportation modes we would use in the coming days such as the back of pick-up trucks, riding horses, and finally hiking on our own at lung-busting (to us at least) altitudes of 11,000 feet and higher.

Monarch 03 D-11-01-18-0508

Getting Closer, but a Tough Hike Awaits (2011)

But it was all worth it.  Photographs really can’t communicate the scale of the scenes we witnessed.  There are so many butterflies clustered on the trees that the branches bend downward from the weight, occasionally even breaking.The image below shows a small section of a stand of trees in one of the preserves.  Imagine that no matter where you look from this position, all the trees surrounding you are covered from top to bottom with what seem like orange leaves but really are butterflies.

Monarch 11 D-11-01-17-0139

Monarch Clusters on Oyamel Trees, Mexico (2011)

Mexico does try to protect the sanctuaries, although illegal logging is one of many serious threats.  But on the positive side they enforce strict (5 mph) speed limits on a highway that occasionally is also used by the monarchs when searching for water outside the preserves.

Monarch 10 D-11-01-20-0539

Monarch Crossing, Mexico  (2011)

An equally serious threat is the loss of habitat in the United States.  Remember that shopping center in Lorton, Virginia? There has been a steady decline in the numbers of monarchs reaching the preserves over the past decade, but there was a slight uptick last

Monarch 13

Chart of Monarch Counts in Mexico (1994-2014)

year.  Preliminary estimates for this winter are cautiously optimistic, with hopes that they might reach the levels of 2011, when I was there.  Keep your fingers crossed and….

 

Keep Shooting….

OnePhoto Focus (and More)

This is the first Friday of the month and that means it’s time for Stacy Fischer’s OnePhoto Focus, where photographers from all over take their turn on the same image.  The range of interpretations is truly impressive, and you can find the links to the other submissions at Visual Venturing.

But first, a quick trip to the front yard where some butterflies seem to be evaluating the worthiness of some flowers growing there.  Hard not to pick up the camera and walk 30 feet to the subject.

Butterfly 01

Cabbage White

Butterfly 02

Eastern Tiger Swallowtail

Butterfly 03

Eastern Tiger Swallowtail (Female Dark Form)?

I am not certain about the identities of the above three butterflies, especially the one immediately above.  If there are any experts out there, I would be most interested in any corrections they might have.  At any rate, all three photos were taken with a Nikon D880E, handheld, using a 28-300mm  f/3.5-5.6  lens.  Various focal lengths and shutter speeds, all shot at f/9.0, ISO 1600.

Now back to our regularly scheduled post, OnePhoto Focus.

This month, the challenge image was submitted by Katie Prior.  Many thanks to her for allowing us the use of her photograph, shown below.

Robin Kent 1PF August Before

Original Image by Katie Prior

As usual, I opened the image in Adobe Camera Raw (ACR) and made a series of fairly standard adjustments (setting black and white points, claity, and vibrance).  The result of this first stage is shown below.

Robin Kent 1PF August Before 02

Katie Prior’s Image after ACR Processing

This is a case where I got caught up in the process and failed to keep notes.  After opening the image in Photoshop, it seemed that Black and White would be the most promising approach, so my first step was to create a Black and White adjustment layer.  I then added a few Curves Adjustment layers and a gradient layer, but while the image was becoming more dramatic as a pure B&W, it seemed to missing something.  So I used another Curves Adjustment layer but instead chose (I think) the Cross Process preset. That made it a little more interesting.  I then switched tactics and began to simplify by turning off the Black and White Adjustment layer and then all but two Curves Adjustment layers (removing 6 in all).  At the end, the image had only 3 layers, the background layer (as it came from the ACR), a standard Curve Adjustment layer, and the Cross Process layer.

R Kent 1PF August After

Final Image

Please chack out the many other interpretations of Katie’s image by visiting VisualVenturing.com.  I haven’t seen any of the other posts yet , but based on previous episodes, there is no telling what kind of amazing creativity you will find–mystical scenery, romantic lighting, prehistoric creatures, perhaps even an appearance by the Loch Ness Monster.  But it will be entertaining.

Keep Shooting…….

AfterBefore Friday: Bluebird Bonanza

There are no written rules for the ABFriday Forum which is fortunate, because this post surely would be breaking them.

This Friday is the third Friday of the month, the new scheduled appearance of the Forum hosted by Stacy Fischer of Visual Venturing.  Participants from all over the world jointly publish posts to exchange ideas about transforming what their capture sees into what they see.

But the memo didn’t get to the pair of bluebirds nesting in a box about 30 feet from my desktop computer.  They set up housekeeping about six weeks ago, and the eggs hatched on/about 29 May.  When I saw that the parents were arriving at the same spot every 5 minutes, the idea for exploring a new photographic subject became irresistible.  Those with some knowledge of avian biology can see where I’m going with this.  The youngsters would be fledging during the third week of June.

So, in a pathetic attempt to follow at least a semblance of the ABfriday Forum Procedure, the image below will be the Before Image.

Robin Kent ABFriday week 56 Before

Early Attempt (very tight crop)

(Nikon D800E on tripod with 70-200mm f/2.8 lens at 200mm; exposure 1/640th sec @ f/10, ISO 1250)

My goal was to capture the birds in flight, and I thought that knowing their precise destination would make it relatively straightforward.  Such was not the case. My intention was to balance a decent depth of field with an ISO that wasn’t too extreme but still allowed a pretty fast shutter speed.  (See technical data above)  As the result shows, it was necessary to go back to the drawing board.

How about adding an off-camera flash close to the nesting box?  Well, the standard sync speed of the Nikon is 1/250th sec. In other words, that is the fastest shutter speed for normal flash operations.  However, there is a  setting deep in the menu called Auto FP High Speed Sync.  (Details at Nikon.com here)   It enables one to shoot flash up to the camera’s top speed of 1/8000th sec.  There is a certain irony that it took a bluebird to lead me to this piece of knowledge.

Robin Kent ABFriday week 56 Before 02

Male Bluebird Removing Trash from Nest

(Nikon D800E on tripod with 70-200mm f/2.8 lens at 200mm; exposure 1/4000th sec @ f/2.8, ISO 3200; off- camera SB-800 flash for fill light)

But the sync setting is only part of the problem.  With the flash about 25 feet from the camera, I would need a wireless remote trigger and, of course, the capabilities of the old PocketWizards I owned were not up to the Auto FP Sync technology.  I decided to purchase the  PocketWizard Flex TT5 for the flash and Mini TT1 for the camera.

The main difference with the second image is the high shutter speed.  It didn’t take long to figure out that 1/3200th sec. is the minimum speed for a bluebird in flight.  A single flash adds some fill, but not much else.  So that limits the depth of field and forces a high ISO setting.  Compromise may be out of style in politics, but is required in photography.

Robin Kent ABFriday week 56 Before 03

 Female Bluebird Bringing Food

(Nikon D800E on tripod with 70-200mm f/2.8 lens at 200mm; exposure 1/8000th sec @ f/4.0, ISO 3200; off- camera SB-800 flash for fill light)

The above image shows the maximum sutter speed for the Nikon D800E.  Exposures varied widely, depending on the amount of sunlight striking the scene.  The flash was not powerful enough to be the dominant factor. (Note to self, save $$ to buy more flashes and transceivers.)

Robin Kent ABFriday week 56 Before 04

Female and Male Bringing More Food

(Nikon D800E on tripod with 70-200mm f/2.8 lens at 200mm; exposure 1/6400th sec @ f/4.5, ISO 3200; off- camera SB-800 flash for fill light)

Having drawn the line on spending additional cash for gear, the results depended largely on luck.  Three factors would have to be favorable: Would the sun be unblocked by clouds or the shade from trees?  Would the birds stay within the narrow channel defined by the depth of field?  Would I react quickly enough when they arrived? Short answer: “Usually, No.”   I now have even more respect for fulltime wildlife photographers who have far less control over shooting situations than I did in this case.

Robin Kent ABFriday week 56 Before 05

Third Fledging Leaves the Nest

(Nikon D800E on tripod with 70-200mm f/2.8 lens at 200mm; exposure 1/4000th sec @ f/6.3, ISO 1600; off- camera SB-800 flash for fill light)

As proof of that, I was quick enough to obtain only a single image of one of the fledglings as it left the nest and began its life in the wider world.  But if you are curious, you can take a peek at a video clip that was recorded at the time on a separte camera.  It shows the departure of two of the fledgings.  Click Here to see the Video.  Who would have thought that the 2nd body I bought for Antarctica would come in handy for photographing bluebirds in Virginia?

Not much post-processing discussed here but there are a lot of examples of exceptional work by the other participants at Stacy’s Visual Venturing site.  Please check them out.  In the meantime,

Keep Shooting….