Ulysses S. Grant: Overdue Repair Job

Ulysses Grant 02

The Grant Memorial, Guarding the Capitol’s West Front (November, 2014)

The massive memorial to Ulysses S. Grant, like so many of Washington’s monuments and memorials, has long suffered from neglect.  (See, for example, a January 2011 article in the Wall Street Journal).   Now at last, as reported in today’s edition of the Washington Post, a restoration project is underway.

Ulysses Grant 01

Scaffolding for the Grant Memorial Restoration (August, 2015)

When I first photographed the memorial I knew much about Grant, but nothing of the history of the statue.  But I had available a most valuable resource: James M. Goode’s imposing reference, “Washington Sculpture” and found a story that fascinated me.

In 1901, a young, unknown sculptor, Henry Merwin Shrady, submitted design for a prestigious commission: a memorial statue of Ulysses S. Grant and the largest ever commissioned by the US Congress at that time. His 22 competitors were experienced, well-known artists and a furor erupted when the 31-yar old was selected.  He was selected a second time when one of the losers demanded a retrial.

Ulysses Grant 04

Artillery Group, on South Flank of Main Statue (January, 2010)

This one work would consume Shrady for the rest of his life, which tragically ended 20 years later and just a few weeks before the memorial’s dedication.  Before he began his work, Shrady conducted intensive research on Civil War history, immersing himself in the details of uniforms, military practices, and the anatomy and physical movement of horses. He was loaned actual uniforms by the secretary of war. West Point and other military schools conducted special drills for him to observe artillery and cavalry maneuvers.  And he investigated much, much more in his unending efforts to bring authenticity to even the smallest aspects of his work.

But despite his premature death, the memorial Shrady produced was unlike any other in the U.S. up to that time. It is vast, with a base 252 feet wide by 71 feet deep, and was the largest bronze-casting project ever undertaken. At its center stands an equestrian statue of Grant. Flanking him, albeit some distance away, are clusters of warriors: a Cavalry Group to the north and an Artillery Group to the south.

Ulysses Grant 06

Cavalry Group on North Flank of Main Statue (November 2014)

(Note the tarnished green stains and missing sword blade; note also the face of the fallen soldier under the hooves of the lead horse-thought to be a self portrait of the artist)

Shrady obtained numerous postponements, fending off demands for deadlines while dealing with numerous challenges such as a fire that destroyed the foundry responsible for casting the bronze components and political fights over the proposed location of the memorial.

Ulysses Grant 05

Artillery Group at Twilight (November 2014)

Ulysses Grant 03

Setting Moon, Grant Memorial and Washington Monument

I’m looking forward to the completion of the renovation project, the memorial will have a totally different look, and new opportunities for photography.  But when the scaffiolding is taken away, those who live here should go back and take a close look at what is by far the most dramatic work of sculpture in the city.  In the meantime,

Keep Shooting……

 

 

Crescent Moon, Lincoln Memorial

A setting crescent moon at twilight usually can be best captured about 3 days after the New Moon. I went down to the Reflection Pool last night to see if I could catch it with the Lincoln Memorial.  The timing on this composition is a little tricky because you need the moon to be close to the Memorial shortly after the sun has set. This doesn’t happen very often.  There is about a 15 minute window when the building’s lights, the twilight sky, and the brightness of the moon are in balance. The moon was a little more to the left of the Memorial than I would have liked, so I compensated by moving to the right (northeast) corner of the Reflection Pool.

Lincoln Moonset 02

Photographed at 8:23 PM

The photograph above is a merge of two images so I could include the reflection of the moon in the water.

Lincoln Moonset 01

Photographed at 8:36 PM

The sunset was at 8:01 PM and I appreciated Mother Nature’s positioning of the clouds to add interest without obscuring the moon. There was very little wind, so the surface of the Reflection Pool was almost mirror-like.

For those with a technical bent, both images were photographed with a Nikon D0800E on a tripod.  The first image was captured with a 24-70m f/2.8 lens set at 62mm, 1/5 sec. @ f/9, ISO 1600.  The second image (also a 2-shot photomerge) was captured  with a 70-200mm f/2.8 lens set at 105mm, 3 sec. at f/13, ISO 1600.

Moon Over Jefferson Memorial

My previous post about a week ago featured a sunrise image of the Jefferson Memorial taken last April. So it might be appropriate to look at some additional images of the Memorial, but this time with the moon, especially since there was a full moon last night.

Jefferson Moonrise

Moon Rising over Jefferson Memorial (July 31, 2015)

The conditions may not have been perfect, but they were pretty close.  There was absolutely no breeze, so the tidal basin would produce a nice reflection.  The sky was clear, ensuring that the moon would be visible.

When photographing the moon, I prefer to use a telephoto lens to emphasize the dramatic effect of the moon.  The foreshortening effect makes the moon seem larger, especially if the camera is fairly distant from the primary subject which in this case was the Jefferson Memorial.  Last night, however, the location of the moonrise on the horizon dictated that the ideal place from which to shoot would be fairly close to the Memorial.  To get the entire Memorial, its reflection, and the moon in a single image would force the use of a lens no longer than 100mm.  But to emnphasize the moon’s size, it would be necessary to shoot with a 200mm setting.

The solution, of course, is to use the photomerge technique in Photoshop, Lightroom, or one of the several plugins available for this purpose.  The above image represents four separate images merged in Photoshop. (Technical data: Nikon D800E on tripod with 70-200mm f/2.8 lens extended to 200mm. Four exposures each at 1 sec., f/16, ISO 400)

Now there is another way to acquire a larger moon, which is considered by some (including myself) as a form of cheating.  An example is shown below.

Jefferson Moonset

Moon Setting Over Jefferson Memorial (April 5, 2015)

In this case, the moon was exceptionally bright and would be extremely overexposed. While HDR might be one option, there was a 7 or 8-stop difference between the correct exposure for the overall scene and the exposure needed for the moon.  Instead, it seemed like a good opportunity to experiment with blending two separate images.  This involved shooting the overall scene with one lens and the moon with a separate lens and then combining them in Photoshop.  I’m not thrilled with the result, mainly because it looks faked to me but maybe that is because I know it was.  (Technical data: Nikon D800E on tripod with 24-70 f/2.8 lens extended to 70mm; one exposure at 2 sec., f/13/ ISO 400.  Moon shot with 70-200mm lens extended to 200mm; exposure at 1/40th sec @ f/16, ISO 400)

The next full moon will be on the night of August 28th.

Keep Shooting…..

Cherry Blossoms–Now?

Things are moving fast down at the Tidal Basin.  The partial eclipse at dawn on Saturday was a bust because of clouds, but there was a full moon rise that evening, and the Cherry Blossom Festival decided to launch a bunch of fireworks at about the same time.  .So of course I went down to practice my Fireworks-Moonrise-Jefferson Memorial-Night Scene technique.  The image below is the result.

Jefferson Fireworks

Moonrise and Fireworks, Jefferson Memorial

I’m not sure when I’ll get another chance at this combination, so I’ll have to be satisfied with this one unless I want to cheat.

On Sunday morning I returned for another moon image, this time the setting moon with the Jefferson which would also give me a chance to check on the status of the cherry blossoms. Even in the pre-dawn twilight it was obvious that they had been busy that night because there was a pink cast to the trees that had been absent the day before.  It’s hard to see in the small image below, but the so-called “indicator tree” that is typically a few days ahead of all the others was indicating good things were coming soon.  There were 9,000 people attending a sunrise church service on the steps of the Lincoln Memorial but there was hardly anyone around the Jefferson Memorial.

Jefferson Moonset 01

Setting Moon at Dawn, April 5

I returned again this morning and found the walkways were still virtually deserted.   However, there was an incredibly long line waiting for admission to the Bureau of Engraving and Printing which was fine with me. The pink tone in the trees was much stronger and the lack of wind before sunrise enabled some nice reflections.

Tidal Basin 02

Tidal Basin, 10 Minutes before Sunrise, April 6

Tidal Basin 01

Tidal Basin, 30 Minutes after Sunrise, April 6

Today was quite warm so there should be further progress on Tuesday.  The forecast for Tuesday calls for some rain and cloudy weather but a while back I stupidly made a morning dental appointment for this day.  But I’ll definitely be back there on Wednesday, rain or shine.

Journey to Antarctica – Part 4

First, a quick update on the Herndon ArtSpace Fine Art Photography Competition.  I was quite pleased on Saturday evening to receive a 3rd Place Award for my “Clearing Storm, Yosemite Valley” image (see my previous post here).  Maybe I should do this more often…or should I quit while I’m ahead?   Anyway, back to the saga of the White Continent……….

Antartica Map 03 Version 2

It seems that every Antarctica trip veteran we met before our departure had a different story about the weather.  Although we’ve been there only once, it’s pretty easy to see why.  Even when conditions are not extreme (i.e., enormous waves, huge storms), the weather is still volatile and often localized. This combination can make things very interesting. The following sequence of images on our passage through the Lemaire Channel is just one example.

Antarctica 19

Lemaire Channel, Looking South at Sunrise

Antarctica 20

Lemaire Channel, Looking East  (One Minute Later)

Antarctica 21Lemaire Channel (25 Minutes Later)

Lemaire Channel is about 7 miles long and a mile wide at its narrowest point. Because of the closeness of the sheltering mountains, it can be as smooth as a lake.  Icebergs, however, can block the passage especially earlier in the season.   Our destination was Petermann Island, home to another colony of Gentoo penguins and no iceberg congestion interfered (two images below).

Antarctica 22

Gentoo Penguin Surveys His/Her Domain

Antarctica 23

Gentoo Penguins on Petermann Island

Petermann Island was the southernmost point of our expedition, even though we would not have complained had the captain decided to break ranks and continue on. But such was not the case and that evening we retraced our route through the Lemaire Channel. On the positive side, we were treated not only to some very nice evening light by the setting sun but also the spectacle of a rising full moon (images below)

Antarctica 24

Sunset, Antarctica

Antarctica 25Alpen Glow, Antarctica

Antarctica 26

Moonrise, Antarctica

Next—Paradise Bay and Beyond

Full Moon?

Moonrise D-09-02-09-0133

Moonrise, Lincoln Memorial

Every so often, the full moon will rise perfectly aligned with an architectural icon, rewarding photographers who happen to be in the right place at the right time.  Such an opportunity may occur on November 6th here in Washington, DC but only if the weather forecast is wrong.  The prediction calls for an 80% chance of rain, which means that an opportunity for an image like the one above is slim.

The above image was taken on February 9, 2009 and while conditions were not perfect, we still had a chance for a nice image. (Technical data: Nikon D200 on tripod with 18-300 mm f/3.5-5.6 lens extended to 112 mm; exposure: 2.5 sec. @ f/7.1, ISO 200)  On that night, the time of the moonrise was 42 minutes after sunset, which is usually a little later than perfect. Tomorrow night, the moonrise is scheduled for only 6 minutes after sunset, which is a little earlier than perfect.  In addition, the location of the moon will be slightly to the left (north) so one would need to be a little farther south to get the same proximity with the Lincoln Memorial.

About five years ago, it was difficult to calculate the right time and place to catch the moon as it broke the horizon line.  You needed to know how to use a compass, something that was invented 800 years ago. But the appearance of “apps” such as The Photographer’s Ephemeris have made this quite easy. So check your weather forecast, and if the prospects are favorable in your area, get out there with your tripod and get the shot.

Lunar Eclipse and Lincoln Memorial

Lunar Eclipse 02

Well, I’m sure everyone is putting up their take on the lunar eclipse that occurred a few hours ago. This is my first attempt at a  multiple image composite showing the process of the eclipse.  This sequence began at 5:35 AM EDT and ended at 6:45 AM after the moon became obscured by clouds or haze near the horizon.  I used an intervalometer to control the camera sequence, taking one image every 60 seconds.  The combination here is a selection of every fourth image.  A few taken after the moon disappeared were also included in order to get a little more detail on the Lincoln Memorial and a better blue in the sky.   The brightness of the illuminated crescent during the early exposures unfortunately blew out the portions of the moon in shadow.  Nevertheless, the entire moon was visible to the naked eye.  But if the weather cooperates on September 28, 2015 I’ll have another chance.  In the meantime, I have 11 months to play around with this set to see if I can tease out more detail.

Hidden Gem: Bartholdi Fountain

Bartholdi Fountain Blog 01

Bartholdi Fountain, Evening Light

Last Friday, a photographer colleague and I went into the city to take some photographs of the Bartholdi Fountain, located directly across Independence Avenue from the US Botanic Garden.  The fountain is located in Bartholdi Park, a two-acre garden managed by the US Botanic Garden. It is named after Frederic Auguste Bartholdi, the designer of the 30-foot tall fountain which is the central feature of the park.  Bartholdi is best known as the creator of the Statue of Liberty. The fountain was originally commissioned for the 1876 Centennial Exposition in Philadelphia and was brought to Washington afterwards.  It fell into disrepair but a 3-year restoration was completed in 2011 and the result was well worth the wait. (Technical data for above image: Nikon D800E on tripod with 24-70mm f/2.8 lens @ 24mm; 5 sec. @ f/16, ISO 100; 5 separate images photomerged)

Bartholdi Blog 02

Bartholdi Park, April 2012

The park features a wonderful horticultural display that changes with the seasons.  Tables, with folding umbrellas and chairs surround the fountain and benches are placed among the plantings where one can enjoy a few moments of serenity a short distance from the US Capitol Building. The park’s website can be found here. (Technical data for above image: Nikon D700 on tripod with 70-200mm f/2.8 lens @ 70mm; 1/100th @ f/16, ISO 400)

Bartholdi Carla Steckley

Bartholdi Fountain by Carla Steckley

The best time, at least in my opinion, to photograph the fountain is during the evening twilight as shown above in the image taken by my colleague about 25 minutes after sunset.   (Technical Data: Canon DSLR on tripod with 13-85mm EF-S  f/3.5 lens; 1/20th sec  @ f/13, ISO 100)

It was an excellent evening for a shoot.  The weather was perfect, the fountain was illuminated and flowing normally, a fresh bed of pansies had been planted in the circular plot, creating a floral necklace around the basin.  The glass dome of the Botanic Garden across the street was being illuminated from within by a  green light.  A few people passed through the park while we there, but we were quite impressed  with a group of five (see image at top) who brought in a tablecloth, silverware, sparkling water, an assortment of cheeses, and other good things and had what looked like a wonderful evening as we moved around photographing the fountain.

Bartholdi Fountain Blog 03

Bartholdi Fountain, Looking Southeast

Twilight lasts only a short time, but sometimes the lights of the city will illuminate the clouds overhead with an interesting color.  The image above, looking in a southeasterly direction toward the Rayburn House Office Building, was photographed just before we left, about 45 minutes after sunset. (Technical data: Nikon D800E on tripod with 24-70mm f/2.8 lens @ 48mm; 5 sec. @ f/16, ISO 400)

And on nights when there is a moon, clouds are less desirable as shown in the image below taken last year. (Technical data Nikon D800E on tripod with 24-70mm f/2.8 lens @70mm; 3 sec. @ f/16, ISO 800, 5 images photomerged)  This could have easily been a single image by bringing the extension back to about 35mm, but the moon would have looked quite small with that approach.

Bartholdi Fountain Blog 04

Full Moon and Bartholdi Fountain, June  2013

 

Super Moon: Always Have a Plan B

Spoiler Alert:  There will be no moon photograph in this post; hence you will have to skip down several paragraphs if you just want to see the pictures.

Last week, the weather forecasters and other media were touting the so-called “Super Moon” that would be rising as a full moon on Monday evening.  I am always looking  for images that have a full moon nicely aligned with one of the iconic scenes in Washington, DC but a quick check of the details on time and placement were not encouraging.   The moonrise was timed to occur about 10 minutes before the sunset, so the moon would be pretty high before the deep blue twilight colors would be at their best. The best location seemed to be at the Tidal Basin with the moon coming up adjacent to the Jefferson Memorial but the placement wasn’t ideal.  But, you never know for sure, so it’s best to show up just in case.

But clouds began to appear in the afternoon, so prospects were getting dimmer by the minute. But one of the benefits of the location is that the Franklin D. Roosevelt Memorial is right along that side of the Tidal Basin and I had been intending to check some evening to see if the fountains were running and illuminated.  This would be Plan B.

Arriving at the Tidal Basin, it was quickly obvious that the media’s flogging of the Super Moon story had the expected effect: At least 3 dozen tripods were strung along the sidewalk of the Tidal Basin, with their cameras all pointed at the Jefferson Memorial.  But for a change, there was no consensus on where the best spot would be.  I joined the group closest to the Memorial (about 6 shooters) and checked The Photographer’s Ephemeris (TPE) app which confirmed this was the best spot.

With 15 minutes to go, I strolled about 100 yards up the sidewalk where a larger group had congregated (seeking safety in numbers?).  Here TPE was saying the moon would rise way off to the left of the Memorial while the PhotoPils app indicated the moon would be much closer to the Memorial and if it was right, this was the place to be. What to do? Well, the clouds looked really bad, there was a very nice bench right next to my tripod, the other photographers were friendly, and the FDR Memorial  fountains were only a 2-minute walk away.  The bench tipped the decision.

Ten minutes after the scheduled rise, one of the other shooters pointed out a faint pink circle almost completely covered by the clouds and it was way over to the left, exactly where TPE had predicted.  But it didn’t matter because it was hardly visible and soon was completely gone from view.  While my neighbors picked up their gear and started to migrate toward the other spot, I chose Plan B and went directly to the FDR Memorial.

The image below is a quick pick from the night’s take but I was pretty happy with all of the results.  It turns out that the light is very nice during a brief period of 10-20 minutes after sunset.  After that, the lighting tends to blow out and detail in the rocks becomes difficult to pull out.  The Memorial is loaded with fountains so this implies a number of future visits will be rewarding.

FDR Memorial Blog 01 (D-14-08-11-2995_98

FDR Memorial Fountain (2 seconds at f/16, lens at 38 mm)

When finished with the fountains, it seemed appropriate to check on the folks who had cast their fate with the moon.  It is entirely possible that there was a spectacular moment while I was away, but the scene below indicates that nothing was going on at 8:35.  It seemed best not to ask.

FDR Memorial Blog 03 (D-14-08-11-3035

Jefferson Memorial at Twilight

Paris: Saturday Night Lights

Weekend nights are pretty lively in this city. Even before the sun has set, the party spirit is gearing up. The banks of the Seine are lined with thousands of young people assembled in small groups sharing food and various liquid refreshments and generally having a great time. The expansive lawns of the Champs des Mars and Esplanade des Invalides are similarly packed, but populated mostly by families and Frisbee tosseurs (not a real word). The streets are filled with tourists, stopping every 20 meters or so to photograph the city’s icons and the now obligatory “selfies.” And this photographer heads to the Pont Alexandre III, considered the most elegant bridge in Paris.

Image

Waxing Moon, Pont Alexandre III, Paris

This was photographed from the Right Bank at the entrance to Pont Alexandre.  The entrances on both sides are flanked by a pair of pillars such as the one shown here, each with a sculpture of Pegasus, the mythological flying horse.  It was shot at about 10:40 PM.

Image

Pont Alexandre III and Les Invalides at Night

This was also photographed from the Right Bank, about 25 feet to the left of the previous image.   In the bottom left, you can see the groups of young people celebrating the evening.  In the distance, the illuminated dome of Les Invalides sits astride the massive Esplanade des Invalides.  The two pillars on the left bank flank the entrance on the opposite side. Photographed at about 10:50 PM.

Image

Eiffel Tower, from Pont Alexandre III

And, of course, the obligatory image of the Eiffel Tower.  Photographed at about 10:25 PM.  As you can see, I am steadily working my way downriver.

My travels about this city have been facilitated by the incredibly useful (and free) app by the Paris Metro system.  It knows where I am and I just tell it where I want to go.  It directs me to the right bus stop and tells me which bus to take and where to get off.  So I knew when I was taking that last shot at 10:50 PM that I could get across the bridge to the bus stop on the other side and catch the 11:00 PM 63 bus that would drop me off abut a block from our home base.  If you are coming here and don’t already have it, you must get a copy.  Just go to the App store and ask for the RATP app.